The Sun Also Rises
What most people probably retain from reading The Sun Also Rises is that Jake has some kind of wound, unspecified, that left him impotent; that there is a lot of drinking in it, and that there's a lot of bullfighting. Jake does have a wound, it's nature is not specified, however, Hemingway asserted, outside of the novel, that Jake was not emasculated. Now Jake is a fairly young man, so we can rule out BPH and its associated drugs as the cause of his impotence. It is possible though that Jake's wound is psychic rather than physical. There is some drinking. The people are at a fiesta, and drinking and partying are part of what goes on at a fiesta. Yes, there is bullfighting. The bullfighting is not described in lurid detail, but some of the violence is implied. You really have to go to Death in the Afternoon to get vivid descriptions of bullfights. It's in Death in the Afternoon, for example, that you learn what the references to the horses are about. (The horses are used in the opening moments of the fight, and they are frequently gored by the bull. As this made many people uncomfortable the horses were padded to protect them, but Hemingway says in Death in the Afternoon that really didn't alleviate the horses' suffering, or stop them from being injured.)
The Sun Also Rises is about more than bullfighting, or about drinking and fornicating. Two issues that I want to address are style and religion.
StyleHemingway's style is sometimes parodied as a bunch of short, simple sentences. A typical parody might go:
"I met a girl. She was very beautiful. We had a bottle of good red wine. We went up a hill to a tree. We drank the wine. It was fine and cool and good. We made love. The earth moved.”" Hemingway doesn't indulge in lengthy sentences with a lot of parentheticals and explanatory remarks, such as I'm prone to write, and he tends to favor sentences that are simple, or compound, and, as a rule, eschews complex sentences.*
* For those who have forgotten their 8ᵗʰ grade grammar a simple sentence consists of a subject and a verb. It may have a compound subject and a compound verb, such as
Tom and Mary went to the store and bought some bread and some wine, but it is still a simple sentence. A compound sentence is two independent clauses joined by a conjunction such as
but. A complex sentence is one with an independent clause and a dependent clause. We'll forgo any discussion of compound-complex sentences lest the reader fall asleep.
Here is the opening of The Sun Also Rises:
"Robert Cohn was once middleweight boxing champion of Princeton. Do not think that I am very much impressed by that as a boxing title, but it meant a lot to Cohn. He cared nothing for boxing, in fact he disliked it, but be learned it painfully and thoroughly to counteract the feeling of inferiority and shyness he had felt on being treated as a Jew at Princeton. There was a certain inner comfort in knowing be could knock down anybody who was snooty to him, although, being very shy and a thoroughly nice boy, he never fought except in the gym. He was Spider Kelly's star pupil. Spider Kelly taught all his young gentlemen to box like featherweights, no matter whether they weighed one hundred and five or two hundred and five pounds. But it seemed to fit Cohn. He was really very fast. He was so good that Spider promptly overmatched him and got his nose permanently flattened. This increased Cohn's distaste for boxing, but gave him a certain satisfaction of some strange sort, and it certainly improved his nose. In his last year at Princeton he read too much and took to wearing spectacles. I never met any one of his class who remembered him. They did not even remember that he was middleweight boxing champion. ”*" Notice that Hemingway starts off with a simple declarative sentence. The next one though is longer, and the first clause is an imperative
* Hemingway, The Sun Also Rises, 3.
Do not think&ellip;,while the second is again declarative. The narrator, Jake, tells us what not to think and indicates that he did not find it impressive, and then immediately qualifies it with a statement of its meaning to Cohn. He has at once indicated the emotional and personal dfferences between him and Cohn. The next sentence is the longest in the paragraph, and conveys Cohn's feeling of inferiority, particularly because of his Jewishness, which was emphasized by being a bastion of WASP privilege. A simple sentence, such as
He was Spider Kelly's star pupil,is immediately followed by a longer sentence that describes the kind of coach that Kelly was. The last two sentences immediately deflate Cohn's pretensions.
Hemingway's style, at least at this stage, does not merit the parodies that are used to mock him.
ReligionHemingway is frequently classed as an atheist. I think at one time Wikipedia classed him as an American atheist. This seems to be largely due to a single quote from the entirety of Hemingway's work that
All thinking men are atheists.That comes from his second novel, A Farewell to Arms, and while I haven't read it recently I want to discuss Hemingway's use of religion in The Sun Also Rises, and contextualize the other quote.
"At the end of the street I saw the cathedral and walked up toward it. The first time I ever saw it I thought the facade was ugly but I liked it now. I went inside. It was dim and dark and the pillars went high up, and there were people praying, and it smelt of incense, and there were some wonderful big windows. I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bull-fighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while I was praying for myself I found I was getting sleepy, so I prayed that the bull-fights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it, and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn’t seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself as praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time, and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun. The sunlight was hot and hard, and I crossed over beside some buildings, and walked back along side-streets to the hotel.”*" Jake prays for a number of things:
* Hemingway, The Sun Also Rises, 78.
- Brett, Mike, Bill &, himself;
- the bullfighters, as individuals and as a group;
- himself again;
- the bullfights;
- &,lots of money
There are other references to religion, and to Catholicism, throughout the book, and none of them are derogatory. Jake is at worst a sinner, i.e., human, and his religion is mostly a form of nature worship that is linked to Catholicism, and an aesthetic sensibility.
The line about all thinking men being atheists occurs in
" The Pope wants the Austrians to win the war,” the major said. ”He loves Franz Joseph. That's where the money comes from. I am an atheist.”" This occurs in the opening of the book, and is a discussion among a group of officers who are weary of the war. It open with the major making an assertion about the pope and the Austrian emperor. The assertion that the church is reliant on the rich and powerful was a fairly common dogma among radicals of that era. A book by Umberto Notari, an Italian fururist, is mentioned. It's not quite clear from the context what the book is about, and a Google search doesn't reveal much detail about the book.* Presumably it's an anti-clerical, anti-religious book. That leads into the major's remark about thinking men being atheists. The major says this, possibly with the intent of shocking the priest, but it occurs in the framework of a conversation of men who are battle weary, and seeking amusement, in this case a bit of mockery. From the declaration of atheism we then move on to the Free Masons, an anti-clerical group, at least in its European versions. (What it is in its American form I have no idea.) It is after this that we turn to the topic of the offensive, with the major urging Lieutenant Henry to go on leave and see a bit of Italy.
“Did you ever read the 'Black Pig' ?” asked the lieutenant. ”I will get you a copy. It was that which shook my faith.”
“It is a filthy and vile book' said the priest. ”You do not really like it”
“It is very valuable/' said the lieutenant. ”It tells you about those priests. You will like it,” he said to me. I smiled at the priest and he smiled back across the candlelight. ”Don't you read it,” he said.
“I will get it for you,” said the lieutenant.
“All thinking men are atheists/' the major said. ”I do not believe in the Free Masons however.”
“I believe in the Free Masons,” the lieutenant said. ”It is a noble organization.” Some one came in and as the door opened I could see the snow falling.
“There will be no more offensive now that the snow has come,” I said.
“Certainly not,” said the major. ”You should go on leave. You should go to Rome, Naples, Sicily.”
* Two of Notari's books are available on Amazon, but they are in Italian.
The conversation opens with a bit of negotiation. What should we talk about? The first topic that comes up is a book, and then atheism. It then moves to another, more pressing topic, that of the offensive.
Placing the declaration in the mouth of the major, rather than in the narrator's, would serve to minimize the importance of the declaration.
There seems to be little evidence, based on the passage in question, to say that Hemingway, at least in the 1920s, was an atheist.
A Farewell to ArmsI've re-read A Farewell to Arms in light of the discussion about religion. Religion is not mentioned as much in this novel as it is in The Sun Also Rises, and the priest is not blown up, as he is in the Rock Hudson, Jennifer Jones movie from the 1950s. The plot is extremely simple. Frederick Henry is hurt at the front, and falls in love with the girl. When the Italian front collapses during a battle, and men are being shot on the slimmest of pretexts for desertion, he flees, meets the girl, and they escape to neutral Switzerland. The girl is pregnant, he marries her, and she and the baby die.
Hemingway has adopted throughout a neutral,reportorial style. His dialogue is not punctuated with
Next up, Victor Davis Hanson's The Savior Generals.
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she said, followed by some descriptive term. You're left to supply the emotional qualifiers to the dialogue, much as Shakespeare is generally free of emotional stage directions, so is Hemingway free of emotional guidelines. Now the ending appears to have given Hemingway a fair amount of trouble. He wrote 39 alternate endings, including ones in which the baby lives, and some that constitute the
religious ending. Now the problem with a religious ending is that it would represent a violation of the approach that Hemingway has taken throughout the novel. The problem with the religious ending is that it would violate the flat, emotionless tone that Hemingway has established throughout the novel. Everything is presented as factual, and despite what we may believe and we may hope, religious knowledge and belief is not in the same realm as factual knowledge and belief. So Hemingway would be tossing in the religious element in a way that violate the approach the novel has taken so far. The religiosity would obtrude and mar the novel in a way that doesn't happen in a novel such as The Old Curiosity Shop> where Dickens' religious beliefs permeate the novel.
Next up, Victor Davis Hanson's The Savior Generals.
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